Minor Threat
1982-04-30 @ Wilson Center
This is Minor Threat's second show after they re-formed with Steve Hansgen on bass. This is the show where a guy who showed up with a gun while Minor Threat was playing. This is the show on the 1991 Brigand 17 "12XU" bootleg record.
Identification
After "Filler," you can hear everyone talking about a guy with a gun outside. In "Banned in DC," p. 65, there are quotes from people at the Wilson Center show April 30, 1982, talking about a guy with a gun while Minor Threat was playing.
Audio
(original recording, without any editing) (compression log file)
Flyers
Tracks
| song/quote |
|---|
| [bass] Hey, hey! |
| [unknown instrumental] |
| Little Friend |
| [Brian?:] More sn..., more snare in the monitor, Seth. [Ian:] This goes out to Boston. |
| Straightedge |
| [guitar] Ahh. I'm hot, man. Bummer. Hold on, hold on, hold on. Hold on, hold on. Some girl found this in the bathroom. It's got like makeup in it. Whose is it? Hey, it's your purse... You want it, come get it. At least I tried, right? "Filler." |
| Filler |
| [drum] [audience:] Ian, Ian, Ian. [guitar] [Brian?:] Can you hear the snare in the monitors now? [audience:] "Bottled Violence." [audience:] Ian. [inaudible] [Ian:] Who is it? [audience:] [inaudible] [Brian?:] Maybe the vocals a little bit in the monitors. A little bit. [Ian:] What? [audience:] There's a guy out there with a gun. [Ian:] Don't go out front. [audience:] There's a guy out there with a gun! [Ian:] Do not go out front, anyone. Call the cops. No one go out front. Yeah, that phone is broken, Jay! Go outside. Someone's gotta go. [Brian?:] You guys are lucky; you're not elevated. [audience:] [inaudible] shot at. [Ian:] Hey! No one go out front. We're gonna do a song. There's a guy with a gun outside... Let's keep the party right here. [audience:] Yea! [Ian:] "Stand Up." |
| Stand Up |
| [Brian?:] Wait a minute, I got a joke. Hold on, I got a joke first. Why's the punk cross the road? 'Cause Ian told him to. [Ian:]Thanks, [???]. This goes out to the guy with the gun. |
| 12XU |
| [guitar] [?:] Hi, Steve. [?:] Ready? [Ian:]Go. |
| Bottled Violence |
| [bass] [?:] Hey, listen here. All you cats out there, Black Stallion is talkin' now. You ain't gotta worry about shit, because I just called my school... All hundred of my mother fuckin' boys are comin' on down here. [Ian & others:] Oh, my god! [Ian:] I'm gettin' outta here. [audience:] What are we goona do? [Ian:] "I Don't Wanna Hear It." |
| I Don't Wanna Hear It (part one) |
| [electrical noise] OK. There'll be a small intermission. [Ian sings:] I don't wanna hear it. [audience:] You're fulla shit. [Ian sings:] I don't wanna hear it. [audience:] I know you're fulla shit. [Ian sings:] I don't wanna hear it. [audience:] I know you're fulla shit. [Ian sings:] I don't wanna hear it. [audience:] I know you're fulla shit. [Ian sings:] I don't wanna hear it, I know you're fulla shit. I don't wanna hear it, I know you're fulla shit. I don't wanna hear it... [?:] 'Cause you're fulla shit. [Ian:] Take it from there. Take it from there. This is the time to get your popcorn, refreshments... Take it from there. Go. Take it from that part. No, take it from that point. |
| I Don't Wanna Hear It (part two) |
| Yeah! Ready? You ready? |
| Out of Step |
| [bass] [drum] [guitar & bass tuning] [drum] Sean. [Brian?:] This girl want to kiss Ian. Should we let 'em? [audience:] [cheers] Come on, Ian. Come on, Ian. [audience:] [cheers] [Brian?:] I was wrong. [Ian:] "Small Man, Big Mouth" |
| Small Man, Big Mouth |
| Hey. Sorry, baby. [guitar & bass tuning] Hey. Hey. Hold on. Jeeze. Why don't you people get a hold of your shit, man. [?:] Everybody gettin' happy. [guitar] |
| Seeing Red |
| [guitar tuning] What is this, vacation land up here? All right. It's wonderful to see everyone here. [?:] [belch] Gee, Dad. [?:] Let's talk about unity, man. [drum] [audience:] Ian. [Ian:] What? [audience:] This ain't no fuckin' country club, right? [Ian:] Ha, ha, ha. Ahh, ha, ha, ha. Sorry. All right. What are we doin'? |
| Screaming at a Wall |
| Let's play the blues, man. Let's play the blues. Play the blues. [?:] Blues? [Ian:] This is called, "Not The Same (Blues)." |
| Not The Same (Blues) |
| Guilty of Being White |
| New song. "No Reason." [guitar] [drum] All right. New song. All right, I tell you, it's wonderful to see you all here. You came from everywhere just to see Washington, DC, bands. Thank you. [bass] [Ian sings:] I just wanna say, thank you, for coming along. I just wanna say... "No Reason." |
| No Reason |
| I'm apologizing. Sorry. [guitar] [audience member:] Hey this next song goes out to the fuckin' nigger who smacked me in the face. And if he wants to come up here, we'll fuck his... [Ian:] Cool out, man. Hey f... Where the fuck are you from? What the fuck's it to you? [other audience member:] Well, why'd you call someone a nigger? [Ian:] Did I call him a nigger? Did I? [?:] Did he say it? [Ian:] Did I say it, mother fucker? [other audience member:] Yeah, yeah. [Ian:] [drops microphone?] [Brian?:] All right, it doesn't need to get out of hand here. [feedback] [Ian:] Fuckin'... Hey, hey. What don't you fuckin' leave? Since you don't like it, why don't you fuckin' leave? He has a fuckin' attitude, get the f... [?:] Yes it is. [Ian:] Hey! Paul's gotta go to the hospital. Fuck off! Hold on, Billy. [?:] Back off. [Brian?:] Hey, this is what it's all about, right? [?:] Everybody, back off, now. [Ian:] Kevin. ...his face. Kevin, need a ride with Paul. Hospital. Now. [drums] Hey, man. Hey. Shhhhh. Hey. Why you guys wanna cause so much trouble? Why you New York people wanna cause so much trouble, man? We're all here havin' a good time. You guys wanna cause some trouble. Sh. Shhhh. Yo, hush. Hush. Everybody calm down. Hey. I'm gonna cool you all down. [sings:] Two little children, lying in the bed, one half dead and the other half dead. Call for the doctor, the doctor said, feed the little children on short'nin' bread. Shh. Shh. Hey, hey, shhh. Hey, see. You come down with an attitude, right? Don't come down... Hey, don't come down... Hold on, Jeff. Don't come down... Hey, don't come down with a "better than thou" attitude. OK? Don't come down talkin' righteous shit to me, alright? Don't come down talkin' that shit to me. I don't care where you're from. You're no better that I am. You're no better than any of these people. And if it offended you that much, there's obviously something wrong with you. [cut] Hold on, let me even up with this guy and we're gonna play. You honky mother fuckers. "Minor Threat." |
| Minor Threat |
| [drums] DC. Hey. [sings:] I, not your steppin' stone. Hey, hey, hey, hey, not your steppin' stone. |
| Steppin' Stone (part one) |
| [bass continues Steppin' Stone] [then guitar continues, too] [Ian:] Go! Go! Go! |
| Steppin' Stone (part two) |
| What time is it? Hold on, I gotta figure out what time it is. Last song. [audience member:] Asshole! [Ian:] Why am I an asshole? Hold on, hold on, wait. Fuckin'... Hey. Mike. Seth. No. Test. [?:] Hello? [?:] All right. [Ian:] OK. Hey, darlin', darlin'. This is our last song, anyway, darlin'. |
| In My Eyes |
Chain
| 1982/04/30 | recorded (from audience) to tape |
| 1982-2000 | unknown |
| c. 2000 | Maxell-XLII 90-minute cassette tape |
| 2003/09/12 | digitized (JVC TD-V661 Cassette Deck > Sound Blaster AWE 64 > Sound Forge 6.0 @ 44100 Hz, 16-bit, stereo) |
| [in progress] | edited |
Edits
The segment times are mm:ss from the beginning of the entire show.
| segment | problem | editing |
|---|---|---|
| whole | has DC bias due to electronic difference between tape deck and sound card | |
| whole | right channel louder than left channel | |
| 4:20 | distortion | |
| 14:58 | click | |
| 32:58 | noisy tape cut | |
| 33:25 | distortion |